MARNIE NOIR
ART OF CONSCIOUS TRANSFORMATION
REDUCTION
AND MINIMALISM
Through my conscious decision to do without colors, I create a space in which I experience myself and my work visually on a deeper level. Black and white form the fundamental contrasts that make the dynamics of light and shadow visible and thus clearly focus on the essentials. This reduction to two elements is not a restriction, but rather an invitation to engage more intensively with form, structure and space. In a world full of visual stimuli, I free the viewer from distraction and sensory overload and enable him to recognize what really lies in his essence.
Translated with DeepL.com (free version)
CREATIVITY WITHOUT COLOUR - SPACE FOR PERCEPTION & TRANSFORMATION
This deliberate color renunciation strategy is not only aesthetically pleasing, but also conceptually profound. It challenges us to engage with the basic principles of elements, perception, balance and emotional resonance. As an art therapist and creativity manager, I know the transformative power of reduction. Particularly in times of sensory overload, my work creates a space of clarity and reflection that enables people to detach themselves from the outside world and enter into a creative dialog with themselves. Black and white thus opens up direct access to one's own creative potential and inner balance.
PRINCIPLE OF WUJI
A philosophical look at
the creative potential of
emptiness in Chinese cosmology
The principle of wuji - creation potential in stillness Wuji (無極) is at the heart of Taoist cosmology. It describes the state before all duality - an emptiness beyond emptiness, not as nothingness in the Western sense, but as infinite potential. Everything arises from this timeless stillness - spontaneously, unplanned, naturally.
Qi (氣) - the vital energy - is formed from wuji and moves into the polarities of yin and yang, which are mutually dependent and transform each other.
This is reflected in the Taoist creation model:
“Taiji (太極) arises from wuji; yin and yang arise from taiji.”
Taiji does not describe opposites, but a dynamic state of change - light and dark, movement and stillness, thinking and feeling. These principles are not abstract - they permeate every moment of our thoughts, actions and feelings.
In the Chinese martial arts and internal exercise system Nei Gong, Wuji is the state to which we always return: present, empty and fully aware. Action arises from this emptiness - not as a reaction, but as a spontaneous response in harmony with the moment.
Wuji also symbolizes the space before form in the mental and artistic process - a silent reservoir of creative possibilities. It is the invisible behind the movement, the formless before the creation - the origin, the potential, the unnamable.
My art stands at the interface of minimalism, transformation and monochrome aesthetics. It challenges the viewer both intellectually and emotionally. I use light and shadow to create contrasts, reveal emotions and unfold hidden narratives. My works are characterised by precise lines and powerful textures that often convey a provocative message.
An invitation to engage with one's own perception of space, time, needs and thoughts. My art challenges the viewer to look beyond the obvious and recognise the invisible. In a world flooded with information, reduction is a return to a fundamental, powerful essence that carries both an aesthetic and a deeper, existential meaning.
MARNIE NOIR